Kanye west late registration album cover

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While KRS-One was the first to proclaim, 'I am hip-hop,' Kanye West might as well be the first MC to boldly state, 'I am pop. Kanye West Late Registration (Digital Download - Polystar ) Overview.

Brion's string arrangements and brass flecks add a new dimension to West's beats without overshadowing them, and the results are neither too adventurous nor too conservative. (Ironically, the Just Blaze-helmed 'Touch the Sky' tops everything laid down by the pair, despite its heavy reliance on Curtis Mayfield's 'Move on Up.') West and Brion are a good, if unlikely, match. Crude beats and drastically tempo-shifted samples are replaced with a more traditionally musical touch from Jon Brion ( Fiona Apple, Aimee Mann), who co-produces with West on most of the tracks. The production approach, however, is rather different from the debut. West's beats, me and my girl split the buffet at KFC'). Even so, he can be tremendous as a pure writer, whether digging up uncovered topics (as on 'Diamonds') or spinning a clever line ('Before anybody wanted K. Take lead single 'Diamonds from Sierra Leone,' in which he switches from boastful to rueful more importantly, the conflict felt in owning blood diamonds will be lost on those who couldn't afford one with years of combined income. He uses the same lyrical strategies as well. As an MC, Kanye remains limited, with all-too-familiar flows that weren't exceptional to begin with (you could place a number of these rhymes over College Dropout beats). His follow-up to The College Dropout isn't likely to change the minds of the resistant. It's a paradox, which is exactly what he thrives on.

On Late Registration, he finds himself backed into a corner, albeit as king of the mountain. And now that he has proved himself in another way, through his stratospheric success - which also won him a gaggle of haters as passionate as his followers - he doesn't want to be seen as a novelty whose ambitions have been fulfilled. Raised middle class, Kanye didn't have to hustle his way out of poverty, the number one key to credibility for many hip-hop fans, whether it comes to rapper turned rapping label presidents or suburban teens. One thing that remains unchanged is Kanye's hunger, even though his head has swollen to the point where it could be separated from his body, shot into space, and considered a planet. West is gone!'-it's a legitimate bummer.And then, in a flash, Kanye was everywhere, transformed from respected producer to big-name producer/MC, throwing a fit at the American Music Awards, performing 'Jesus Walks' at the Grammys, wearing his diamond-studded Jesus piece, appearing on the cover of Time, running his mouth 24/7.

When Kanye finishes it by literally announcing his departure to the listener-'Sorry, Mr.

#Kanye west late registration album cover how to

(Representative example: 'Maybe you could be my intern, and in turn, I'll show you how to cook up summer in the win-turr.') It meanders over six full minutes, taking its sweet time to build to the finale with a vocals-free bridge that lasts for so dang long that you might be tempted to hit the SKIP button if you didn't know better. The track is all the best parts of Early Kanye: a melodic Otis Redding sample that is medically impossible not to nod your head to guests who outshine him, but only slightly an intricate strings accompaniment that turns into an entirely different instrumental midway through and a couple of delightful swaggering punchlines from your headliner. The best song of the lot, though, is the joyous, frenetic 'Gone,' which mixes a cheerful tale from someone named Consequence about shooting up a bar with a vintage Cam'ron verse about his fondness for chinchilla fur.